DAYNA KURTZ BIO
HERE VOL 1, Kismet Records)
Over the past decade, the New Jersey born, now dividing time between New Orleans and the mountains of Vermont, vocalist/writer/musician/producer has been bestowed with many awards and praises, including being named the Female Songwriter of the Year by the National Academy of Songwriters. Norah Jones and Bonnie Raitt have raved about her in interviews, and she's performed on such high-profile radio shows as World Cafe, Mountain Stage and NPR's Morning Edition and Tell Me More. She's toured and opened for the likes of Elvis Costello, Richard Thompson, Mavis Staples, Rufus Wainwright, B.B. King, Dr. John, Richie Havens, Keren Ann, Chris Whitley, and the Blind Boys of Alabama. Festivals that have asked Dayna to perform include the New Orleans Jazz and Heritage Festival, the French Quarter Festival, Celebrate Brooklyn, Lincoln Center Out of Doors and Roots on the Rails.
DaynaÕs new disc (Here, Vol. 1 due March 2017), is a live record with career spanning tracks, culled from her 2016 Dutch theater tour with guitarist Robert Mache. It manages to capture the heart-stopping edge-of-your-seat mesmerized silence that Dayna Kurtz seems to magic from her audiences. ÒI began my career as a teenager as background music in crowded Jersey Shore beach bars,Ó explains Kurtz, Òand I used to make a game of seeing what it would take to shut people up, and I got kind of good at it. Although thereÕs some tricks to it, it was really more a kind of witchcraft than anything - I learned to draw whatever power and attention there was in the room being sent my way and send it back out again. Other people got caught in the loop and started paying attention too. And as long as the crowd wasnÕt shitfaced or distracted by a TV I could usually get them. It was good training, even now that my audiences are more inclined to listening already anyway. A lot of my music requires some attention, so it was a good skill to learn.Ó
On her work and friendship with Robert Mache (Continental Drifters, Steve Wynn) Kurtz says, ÒIÕve loved RobertÕs playing for such a long time, and weÕve been friends longer than weÕve been touring partners – he was one of the first musicians to befriend me in New Orleans. That we had such undeniable chemistry has been one of the greater recent gifts of my life, and I just wanted to document it somehow, and quite a few people in my life have suggested a live record. IÕd been hesitant, only because thereÕs only a few live records I listen to with the devotion IÕd give a beloved studio record. ItÕs notoriously really difficult to capture the feeling of being there in the dark experiencing it. Then the challenge of it intrigued me.Ó